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                 Interview with Hello Dragon >>
FACE 
Dan Krejci

Melodic Hypothesis: The Quantum Pop of Hello Dragon

 

Centered around the dynamic duo of Julie Chadwick and Chris Zerby are a collective of amazing Los Angeles musicians known as Hello Dragon. Their latest CD, The Quantum Explorers, is a fantastic voyage into the unknown variables of D.I.Y. epistemology. Chadwick, Zerby, and friends redefine and recreate the limits and the textures of alternative music. Musically, they intertwine the edginess of late seventies L.A. punk with the pop sensibilities of eighties new wave and the harshness of nineties grunge rock into a refreshing mix for the new millennium. Lyrically, their words read like born again existentialism: they are witty while being gritty; they are caustic while being ecstatic.

 

Recently, I chatted with Zerby from the Chadwick/Zerby compound in Echo Park, the increasingly gentrified neighborhood from which newly-christened LA rock stars and denizens of hip seem to emerge these days. With the tre fashionable address and a potent fan base evidenced by Hello Dragon’s myspage page, I expected at least some dose of pretension from Zerby and crew. To my glee, I found them to be refreshingly unaffected, exuding that rare strain of unassuming charm that can only come from an innate blend of self-effacing wit, applied intellect, and modest confidence. The address, it seems, is a geographically desirable crash pad between rehearsals at their Highland Park recording studio and the impressive amount of shows they play at the coveted rock venues dotting Silverlake, Echo Park, and Hollywood (including a few stints on KROQ Locals Only bills). Do yourself a favor and explore this band: if this is the future for music, then music has a future. 

 

 

DK: I am proud of the fact that the first movie soundtrack I bought was the Paint Your Wagon record. What was your first movie soundtrack purchase? What was the inspiration? Does it still inspire you?




CZ: I don't think I've ever bought a movie soundtrack!  There was a copy of the Grease soundtrack lying around the house when I was a kid, but I think it was my Mom's.

DK: If you could sing a duet with anyone, dead and/or alive, who would it be? What song would you perform and why?

CZ: I wouldn't really call it a duet, but if I had my choice, I would love to sing in a really good Mariachi band.  They do those big refrains where the whole band sings in unison, and I think I could do that really well.  If there has to be a famous person in the band it would be a non-musician.  Someone who would be fun to hang out with and travel around with; someone who would have a few drinks.  Babe Ruth.  Dylan Thomas.  Ricahrd Feynman.

DK: As a bass player myself, I am always intrigued who everyone's dream drummer is, who would you choose and how have they influenced you?

CZ: Well, for sure Ringo Starr.  Nobody drags the beat like that guy.  But actually I have to say one of the best drummers of all time has to be Phil Rudd of AC/DC.  He never plays a fill.  That's an ideal drummer; a guy you don't notice necessarily, but who always plays for the song, not himself.

DK: What artist/band would be your skeleton in your closet, guilty pleasure, and hidden secret? What was their best album? What was their best song? Did they play any role in developing your musical aesthetic?

CZ: I used to own a bunch of Village People records.  The one with "Macho Man" was pretty good.  I think they were standing around a bulldozer on the cover.  Funny enough, they used to do those big refrains with everyone singing in unison, and I bet they had a lot of fun; me and the Mariachi band, and the Village People traveling around in a big bus and singing those refrains.  Damn straight.

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issue #5: fall 2008/winter 2009
photo: Josh Pickering